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London Boulevard, by Ken Bruen
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When Mitchell is released from prison after serving three years for a vicious attack he doesn’t even remember, Billy Norton is there to pick him up. But Norton works for Tommy Logan, a ruthless loan shark lowlife with plans Mitchell wants nothing to do with. Attempting to stay out of Logan’s way, he finds work at the Holland Park mansion of faded movie actress, Lillian Palmer, where he has to deal with her mysterious butler, Jordan. It isn’t long before Mitchell’s violent past catches up with him and people start getting hurt. When his disturbed sister Briony is threatened, Mitchell is forced to act.
Academy Award-winning screenwriter William Monahan (The Departed) has teamed with Quentin Curtis to acquire rights to London Boulevard. Monahan plans to co-produce, write, and make his directorial debut with the movie. This is a masterful work of double dealing and suspense from one of the great crime writers of our time.- Sales Rank: #2359617 in Books
- Brand: Minotaur Books
- Published on: 2009-11-24
- Released on: 2009-11-24
- Original language: English
- Number of items: 1
- Dimensions: 8.45" h x .99" w x 5.69" l, .76 pounds
- Binding: Hardcover
- 250 pages
- Great product!
From Publishers Weekly
First published in the U.K. in 2001 and presently being adapted for the movies, Bruen's gritty reimagining of Billy Wilder's Sunset Boulevard transplants the action from glitzy Hollywood to the rough and tumble London streets. Fresh out of prison after serving three years for an assault he can't remember, Mitchell tries unsuccessfully to steer clear of his old life, even as friends pressure him to get back in the crime game. Looking for an honest job, Mitchell finds work as a handyman for a wealthy and reclusive former stage beauty, Lillian Palmer, who lives in a sprawling estate with her taciturn butler, Jordan. Soon, Mitchell's increasingly complicated relationship with Palmer becomes inextricably intertwined with his violent past. While Mitchell and Palmer obviously evoke Sunset's Joe Gillis and Norma Desmond, Bruen (Once Were Cops) adds his own cast of supporting characters, notably Mitchell's eccentric sister, Briony. Noir fans will enjoy this rapid-fire thrill ride. (Dec.)
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Review
"This is a strong solo effort from Irish noir master Bruen, whose prose floats like a butterfly and stings like bejesus." --Library Journal�"First published in the U.K. in 2001 and presently being adapted for the movies, Bruen's gritty reimagining of Billy Wilder's Sunset Boulevard transplants the action from glitzy Hollywood to the rough and tumble London streets...Noir fans will enjoy this rapid-fire thrill ride." --Publishers Weekly��
About the Author
KEN BRUEN has been a finalist for the Edgar and Anthony Awards, and has won a Macavity Award, a Barry Award, and two Shamus Awards for the Jack Taylor series. He has been an English teacher in Africa, Japan, Southeast Asia, and South America. He lives in Galway, Ireland.
Most helpful customer reviews
4 of 4 people found the following review helpful.
SOON TO BE A MAJOR MOTION PICTURE...
By janebbooks
Now wait a minute. This plot sounds familar.
A young, handsome man connects with a reclusive actress, whose only employee is a butler. He moves into the garage apartment of her large mansion and enjoys her other gifts and favors. He drives her to a major movie studio in a large and expensive car after the studio calls repeatedly not to schedule a comeback but to rent the car!
It's co-writer and director Billy Wilder's 1950 black and white film, "Sunset Boulevard."
No, it's LONDON BOULEVARD, the 200l novel by Ken Bruen, the fantastic Hiburnian noir writer.
As the dust jacket declares, Mitchell, Bruen's protagonist, has just been released from prison (three years for aggravated assault) and doesn't want to return to a life of crime. He finds employment as a handyman for stage actress, Lillian Palmer, whose sole other employee is an aging and devoted butler.
The dialogue is witty; the prose is sparse and succinct. Bruen uses a quirky three-line device to catch the reader's attention. Usually the lines are three adjectives but can be titles of books on a shelf or items on a cafe menu.
And the book is funny. Mitchell's sister Briony is slightly mad, a confirmed shoplifter, and forgets her husband is dead. She arrives at Mitch's Welcome Home party "looking like a radiant bag lady" and apologizes for Frank's absence. The lunch at Browns at Convent Gardens with the mob boss is funny, too. Mr. Gant wants Mitch to help him organize his debt collections and to steal Lillian's Silver Ghost Rolls-Royce. The funeral of Joe, Mitch's favorite newspaper seller, is out of control. Mitch throws a copy of "Big Issue" on the lowering coffin and Briony invites a street musician dressed in kilts to play the bagpipes.
Does Colin Ferrill (Mitchell) end up dead in the swimming pool as William Holden (Joe Gillis) does? Well, you'll have to read the book. But I can tell you if he's dead, the butler probably did it!
Noir? See Comment
5 of 6 people found the following review helpful.
Links Noir to the Irish Concept of Sadness
By Amazon Customer
It is a long way from the sun-baked streets of Los Angeles to the damp and foggy streets of London. But in this American reprint of Ken Bruen's 2001 work, the author successfully bridges the gap by reworking the 1950 film Sunset Boulevard, Billy Wilder's classic noir tale of desperation and death.
For the book to live up to the Billy Wilder film noir is a very tall order indeed, but Bruen, the prolific writer from Galway, Ireland, has earned his place at the top of the list of a new generation of writers, including Megan Abbott, Jason Starr and Charles Ardai, all of whom have revitalized noir fiction and dragged it --- often bleeding --- into the new century. And that has meant great reading for the rest of us.
Whether set in Ireland in the Jack Taylor series or in London with the Inspector Brant series, Bruen often pays homage in his books to the American masters of the genre, such as Charles Willeford, Ed McBain and Lawrence Block. So it is no surprise that he follows closely the Wilder tale in LONDON BOULEVARD --- even down to the creepy butler. But instead of a chimp being buried in the backyard, it will be far worse.
Mitchell gets out of jail after serving three years for a violent assault he has no memory of, although it is not hard to see how he might have done the crime. On the ride home from prison, he gets out of the car and busts the arm of a squeegee man. But he has a job waiting and is given a great apartment thanks to his best friend. For this, he is expected to do muscle work for a loan shark. Then there is his old crew of bank robbers who want to bring him back for one more job.
Bruen puts us right from the start in the world of noir: "I had dark eyes, and not just on the outside," Mitchell says early on. But he wants nothing to do with his former life of crime and, on a recommendation, visits the mansion of a once famous London theater star in need of a handyman. He takes the legit job and soon is involved with the old actress.
What follows are double and triple crosses that keep the pages quickly turning. And Bruen's take on the ending is --- if such a thing is possible --- even darker than Sunset Boulevard. As in the movie, Mitchell meets a girl he immediately falls in love with and wants to protect her from his dark world. Bruen writes, "She was attractive no doubt, but I (Mitchell) hesitated. She said, `There is a lovely word in Irish, it's bronach...means sadness but a lot more. Anyway, that is how you looked.'"
And Mitchell is in a world of sadness. It's interesting that the character of the writer in Wilder's classic should be transformed into a small-time criminal in Bruen's update. But I don't think Bruen is trying to insult those of us who try to scribble for a living, nor is he making a larger, perhaps well-deserved point about the publishing business. He is quite right and unique, however, in linking noir to the Irish concept of sadness. Noir might have been born in sunny America, but its roots are as deep as all human suffering and failure. Bruen writes, "What you regard as a small isolated incident sets off a chain of events you could never have anticipated. You believe you're making choices and all you are doing is slotting in the pieces of the foreordained conclusion."
This deep, melancholic passage serves two purposes: it exemplifies the dark nature of the book, and it highlights how great of a writer Bruen is. His fantastic work is slated to become a movie starring Colin Farrell and Keira Knightley. While it might not end up being another Sunset Boulevard on the big screen, Farrell might be an inspired choice to play Mitchell in LONDON BOULEVARD. Read the book before you see the movie.
--- Reviewed by Tom Callahan
7 of 9 people found the following review helpful.
fast-paced Noir
By Harriet Klausner
Minutes before Mitchell is to be freed after spending three years in prison for an assault he did not remember committing due to a drunken haze, the warden tells the fortyish convict he will be back. Mitchell hides the terminator retort and steps outside knowing he looks like a shifty felon. Working for loan shark Tommy Logan, Billy Norton arrives to pick him up, but Mitchell wonders if this acquaintance can be considered a friend though he is there to take him home.
Logan has plans for Mitchell, but the ex con does not have a compulsive need for quick money and is obsessed with not being a recidivism statistic. Mitchell obtains a handyman position at the Holland Park estate of aging movie actress, Lillian Palmer. As he struggles with adjusting to her odd butler Jordan, those close to him begin to die from an unknown adversary who soon threatens his beloved but insane sister Briony and others like Aisling and even a dog. Mitchell's obsession about staying out of jail has turned compulsive but no one hurts Briony.
With plenty of dark humor throughout, Ken Bruen pays violent homage to Sunset Boulevard with this fast-paced Noir. Each of the key cast members contains differing personalities, but the story line belongs to the anti-hero who just wants to go straight yet finds himself swimming in a foggy sea of sordid sleaze as those good citizens are as nasty as the those he met behind bars and rival those muscles working for Logan. With more blood spilled than a downtown Emergency Room like Atlanta's Grady, fans who don't mind hearing the breaking of bones will want to read Mr. Bruen's gloomy view of London.
Harriet Klausner
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