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Heaven's Gate is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that its title has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the film that brought down one of Hollywood’s major studios—United Artists, the company founded in 1919 by Douglas Fairbanks, Mary Pickford, D. W. Griffith, and Charlie Chaplin. Steven Bach was senior vice president and head of worldwide production for United Artists at the time of the filming of Heaven's Gate, and apart from the director and producer, the only person to witness the film’s evolution from beginning to end. Combining wit, extraordinary anecdotes, and historical perspective, he has produced a landmark book on Hollywood and its people, and in so doing, tells a story of human absurdity that would have made Chaplin proud.
- Sales Rank: #547114 in Books
- Brand: Brand: Newmarket Press
- Published on: 1999-08-16
- Released on: 1999-08-16
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .86" w x 6.00" l, 1.26 pounds
- Binding: Paperback
- 432 pages
- Used Book in Good Condition
From The New Yorker
The best account of American moviemaking in the age of conglomerate control of the studios.
Review
"The best account of American moviemaking in the age of conglomerate control of the studios." — Pauline Kael, The New Yorker
"A landmark book on movies…must reading!" —Kirkus Reviews
"A compulsively readable account of adventures in the film trade. An intimate view of what goes on in the corridors of Hollywood power…distinguished by its awesome objectivity." —David Brown, The Zanuck Brown Co.
"Buffs will love this one…inside and fascinating looks at Woody Allen, Francis Ford Coppola, Peter Sellers, writer William Goldman, Dino De Laurentiis, Truman Capote, Martin Scorsese, et al." —Newsday
"A riveting, witty and essentially heartbreaking chronicle of a catastrophe…" —Peter Bogdanovich, director of The Last Picture Show
"One of the few indispensable books about Hollywood." —Jack Kroll, Newsweek
About the Author
Steven Bach has been associated with the motion pictures Sleuth, The Parallax View, The Taking of Pelham One Two Three, and The French Lieutenant's Woman, in addition to Heaven's Gate. He also taught film at Columbia University. Bach passed away in March 2009.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Schadenfreude in spades
By Frank J. Edwards
After seeing a reissued "director's cut" version of "Heaven's Gate," the movie so expensive to produce and so poorly received by the critics in 1980 that it destroyed Michael Cimino's reputation as a director and led to the demise of United Artists, I sought out this book by one of the United Artist producers involved in the project (and who also lost his job in the aftermath). It's a fascinating story. How could Ciminio--who had just come from making "The Deer Hunter," which netted him Academy Awards for best picture and best director--have created such a mess? Vastly exceeding its budget, "Heaven's Gate" was visually spectacular but had a poor sound track and a story that verged on incoherence at times. Why did United Artists let him do it? This book tells the story in great detail and Steven Bach was a fine writer. The most interesting parts, however--the Cimino story--gets lost from time to time in Bach's efforts to paint a comprehensive picture of United Artist's glorious history (it was founded by Mary Pickford, Charlie Chaplin and Douglas Fairbanks) as well as describing the Hollywood system of movie making in general. I found myself skipping parts. But, that being said, it's a great read and a fabulous story of hubris and Hollywood finances.
0 of 0 people found the following review helpful.
When Art Meets Business!!
By Johnny G
Must read for anyone interested in film making and the business of distribution. While art is important to some this still is a business that needs "product." Self indulgence too often results in a product that no one wants except the i individual who indulged himself. This is an inside baseball book that the late Mr. Bach wrote with honesty and passion.
1 of 1 people found the following review helpful.
A Steven King story come to life.
By Hans Visser
Not so much that it is horror (people aren't dying or being stalked by monsters), but in how the process of making the film started out wrong, and continues to get more and more wrong at every step. As a history, you know how it'll end, but it's still almost depressing how at each step the execs make wrong decision after wrong decision, throwing good money after bad. If Bach is to be believed, he and his confederates were so desperate for a defining hit that they simply talked themselves into a disaster, didn't have the guts or experience or self-preservation instinct to cut their losses and then the piper was paid.
Cimino comes across as someone who simply needed to be told no on occasion and forced to work within limits, and the early rejection of his Fountainhead idea shows that that was probably possible. But once the train started rolling, nothing save a miraculous Citizen Kane level result would have saved the day, and Heaven's Gate was no miracle. You could tell by the way they caved in to his demand to cast Huppert that the only real option had become ditching the project altogether, but that's not how ego works. Some say it's a masterpiece (though with the sound issues, absurd length and lack of narrative dynamism that's pretty hard to support), but it didn't need to be a masterpiece; it needed to be a hit. It wasn't and it destroyed Cimino's career and UA along with it. We are left to wonder whether a fictional account of a war that never happened was worth it.
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